Monday
Today we spent the whole day at St Giles School and ran
workshops with the students and worked on their performances and their dances. As
we had already got to now the students we started the session with a vocal and
physical warm up. I think that this was really good to start with as it woke up
the students and got them ready for the day ahead as a warm up should do. More
than that it gave the students an insight into our everyday life at BRIT and it
gives them the skills within theatre and the arts to get ready for rehearsals
and performances. We taught the students how to siren their voice through the
exercise of visualising a man on the ledge jumping off and as he falls the
voice gets lower and the same in reverse. I think that by adding a visual
element to this exercise not only made it more fun and enjoyable to do but also
it also gives the students something to follow and lead from so that they were
all able to be involved. This exercise also allowed the students to explore and
develop the vocal range so that they can use their voices effectively and
efficiently.
We also played the vocal warm up game, Boom Chicka, this is
a call and response game where the group have to copy the leader and what they
say. This started off as a good game to warm up the group and to get everyone
working together and concentrating. Also it is a really fun game to get
everyone energised and getting involved in the game. As a result of our group
picking up this game really quickly and easily we developed it so that each
different round of the game was done in a different accent or character. This
worked really well as we were able to work on their characterisation for some
of the dances, for example doing it as a moody teenager helped them to get into
the idea, theme and characters of the “Paint It Black” dance. We went even
further with this game by letting the student participate in the choices of
what style we do the exercise in, this allowed the students to take ownership
of the exercise and get more involved with the game.
After the vocal warm up we lead a physical warm up for the
students so that they could feel ready to do the dances and to get their bodies
ready and awake for the sessions ahead. As all of our students, except one, are
in wheelchairs we focused on warming the top half of the body up by wiggling
our fingers and circling our arms and wrists and shaking out the top half of
the body. This made sure that everyone was included in the warm up and that it
was suitable for all the members of the group to join in with. We then played a
game called shape it, where we would name a shape or a person, for example a
moody teenager and the students would have to take form of that shape. I think
that this exercise worked quite well as it got the students moving around and
thinking about making their own positions so that they were being creative
independently and thinking for themselves. However we only did this game
individually and I think that if we play it again we could get them interacting
with each other and creating images together so that we are pushing them and
developing the games. This would also make them work together and collaborate
their ideas.
We then spent the rest of the morning working on and
choreographing the dance moves to “Paint It Black”. We used all the games that
we had been working on to lead into the dance that we have been doing. For
example we used the actions from our version of Zip, Zap, Bong as stock
movements and poses for the sequence. I think that this was really good as the
student had already learnt the movements so they were comfortable and confident
in doing them. We also made sure that we got a lot of ideas from the students
by doing a spider diagram of their ideas with the song on in the background, we
did this so that the performance had their ideas in it and so that they are
engaged and learning and developing their skills as well as performing.
In the afternoon we did an arts and craft session where we
made props for the performances. For example those in the “Paint It Black”
routine made posters for their performance and those in “The Happening” made
love hearts. I think that as we had been working the whole morning, the craft
session allowed the afternoon to be more relaxed but at the same time the students were all still being engaged and
creating their own work for their performance. This session was really good as
the arts included all the students, even the PMLD students, as they could touch
the material and get involved making things. The feel of the material and could
also worked with the sensory element that is really important for the PMLD
students, so that they could be engaged through all the senses.
Tuesday
Today we were with the students for the morning, working and
developing the routines that had been created and running workshops with the
students. In the warm up I took on the role of a workshop leader as part of my
role as an Artistic Facilitator as I lead the group in the vocal warm up by
running exercises that engage the facial muscles and the vocal cords. I did
exercises such as the siren with the voice, humming in a siren, chewing toffee
and making the face as big as possible and as small as possible. I ran these
exercises as they wake up your face by engaging all the different muscles in
the face to get them ready for facile expressions and being free and open with
your face as a part of characterisation. Also they loosen up the vocal cords,
face and tongue so that you can create better sounds with the voice and be
clearer when you speak on stage. I hope that these exercises will be able to
help the students when they are acting on stage and saying their lines as well
as in the song routines, meaning that they can adapt them to their other
creative needs. I also did tongue twisters with the group however I made the do
a beat along side the tongue twister, this was so that the PMLD students could
be involved in the exercise. From the speaking to the teacher I have learnt
that a sound or a beat involves them in the exercise as they are engaged on a
sensory level, because of this I adapted the tongue twister game by adding a
beat. I think that this made the game more inclusive for all of the students
involved, especially as we are working with two groups with very different
abilities, I think games like this offer different elements to each group,
challenging and engaging both at the same time.
Linking into the sensory element of the exercises that
engage the students we did an exercise where we as a group created a
beat/rhythm together by one person adding a new beat to the music one by one.
The PMLD students also got procession instruments to shake and hit and play to
help to create the music as a group. I think that as an exercise this worked
really well as it included all of the students in the group and made us all
work together by listening to each other and connecting together to create a
piece of art in a really simple way. Although this was a really good game to
play I found that after a few times of playing it, I think that for some of the
students it wasn’t challenging enough and after a time they got disengaged from
the exercise and we had to move on quickly.
We also spent some time with just the PMLD students and in
this time we took the students outside to look at the flowers, and listened to
songs and ripped tissue paper with them to create flowers. This was really
enlightening for me as it showed me how important it is for the PMLD students
to be engaged with all the senses and they are more included by experiencing through
sound and sight and touch. It also showed me how to communicate with the
students without being able to speak and how they enjoy communicating and doing
the exercises and the arts with others. It also made me see that the arts can
be even more important and engaging for PMLD students that conventional
learning experiences for them as it can connect to them on a more sensory and
creative level.
Wednesday
Wednesday
In today’s sessions I feel that I learnt a lot from some of
the exercises that we have been doing. In the vocal warm up where we get the
students to chew an imaginary piece of toffee normally only certain people in
the group can be involved and included as some of the PMLD students have
difficulty in doing it. However in today’s lesson when we did this warm up, to
help engage the students with PMLD, we got a piece of play dough and rolled it
on those students’ arms so that it can feel like toffee and they can be engaged
through touch. This helped show me how you can adapt nearly any exercise or
game to include all members of a group. At the start of the week I was
concerned that we had to groups of students with opposing abilities and
disabilities and that we wouldn’t want to cater for all of their needs through
the exercises as some might be too easy for one group but challenging for
another. However this showed me how I can add or adapt things to an exercise so
that it can connect and include all members of the group and still be
challenging for everyone as well. In this section I also took on the role as a
supporter for the students as I worked with one of the PMLD students by rolling
the play dough on his arm. I also helped the children decorate in the arts and
crafts section and I helped a PMLD student to ripping and scrunching tissue
paper. Through these interactions and exercises with the student I have learnt
how to communicate with the students and challenge them and get the best out of
them with the games that we play. Also through this role of supporting the
students I learnt the importance of sensory games for the students to engage
them in a more creative way. It showed me how to connect with the students and
how to get to know them as individuals rather than as their disabilities.
Today we also went through the two routines and worked on and
developed them. From this experience we have learnt that repetition through the
week on the performances makes it stay in the students minds and so that it can
become natural and easy for them to do and more enjoyable rather than having to
overly think about it. This is also good as it gives the students the idea of
what we do in our rehearsal process and gives them the skills that they need
when creating work.
Friday
Friday
Today was our last day at St Giles so our focus was on
making sure that the students were happy and confident in their dance routines.
At the end of our morning we had a small party with our group to say goodbye
and thank you to them, as well as us, as I feel that I have learnt and got a
lot from this process.
We began with our vocal and physical warm up, as we have
been doing this throughout the week, I feel that the students feel comfortable
in the exercises and are able to see the benefits within the voices in their
performances. Also at this point we allowed some of the students to run some of
the tongue twisters or the Boom Chicka game and I think that this helped to
build the students confidence when speaking in front of a group as they had the
responsibility of leading the group. This was a unique and subtle way to get
the students more comfortable talking to a group and consequently hopefully
more comfortable on stage and performing as they have had some experience in
being the centre of attention in a large group, in a more formal setting than
with their friends.
We then went through both routines; repeating and refining
them so that they could be ready for the performance. From the week I found
that repletion was really important as I helped the students to remember their
routines and to have them embedded in their minds. Also I found that this has
made them more confident in the performance and the routines and consequently
allowed them to work on the acting side and facile expressions as well as being
able to enjoy it more because they have got the routine solid in their minds.
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